The Psalm
To the chief Musician, to Jeduthun, A Psalm of David.
- Truly my soul waiteth upon God: from him cometh my salvation.
- He only is my rock and my salvation; he is my defence; I shall not be greatly moved.
- How long will ye imagine mischief against a man? ye shall be slain all of you: as a bowing wall shall ye be, and as a tottering fence.
- They only consult to cast him down from his excellency: they delight in lies: they bless with their mouth, but they curse inwardly. Selah.
- My soul, wait thou only upon God; for my expectation is from him.
- He only is my rock and my salvation: he is my defence; I shall not be moved.
- In God is my salvation and my glory: the rock of my strength, and my refuge, is in God.
- Trust in him at all times; ye people, pour out your heart before him: God is a refuge for us. Selah.
- Surely men of low degree are vanity, and men of high degree are a lie: to be laid in the balance, they are altogether lighter than vanity.
- Trust not in oppression, and become not vain in robbery: if riches increase, set not your heart upon them.
- God hath spoken once; twice have I heard this; that power belongeth unto God.
- Also unto thee, O Lord, belongeth mercy: for thou renderest to every man according to his work.
Setting and occasion
The superscription hands the psalm to Jeduthun, and that is worth more than it looks. Jeduthun was one of the three men David set over the music of the house — with Heman and Asaph — “to give thanks to the LORD, because his mercy endureth for ever” (1 Chr. 16:41–42), and his sons “prophesied with a harp, to give thanks and to praise the LORD” (1 Chr. 25:3). His name stands over three psalms: 39, 62 and 77. Psalm 39 begins “I was dumb with silence, I held my peace”; Psalm 77 says “I am so troubled that I cannot speak”; and Psalm 62 opens on the word silence. Whatever else the guild of Jeduthun was for, it knew what to do with a man who has run out of things to say.
The occasion is withheld, and deliberately. No enemy is named, no city, no year. What verses 3 and 4 give is a situation rather than an event: a man in some position of standing, and a group of people working steadily at getting him out of it — “they only consult to cast him down from his excellency” — with the particular cruelty of polite conspiracy, “they bless with their mouth, but they curse inwardly.” Absalom’s revolt fits, and so does the long harassment under Saul, and so does any session of a company board. The psalm’s refusal to say which is part of its design: it is written to be lent out.
One more feature is easy to miss in English and is worth telling the room. This psalm never once uses the covenant name. Eleven verses say God, אֱלֹהִים, and the twelfth says O Lord, אֲדֹנָי — my Master. Psalm 62 sits inside the Elohistic collection (Psalms 42–83), where the divine name is largely replaced by the generic word for God, and the effect here happens to serve the argument. The psalm is not playing one name against another. It is playing God against men, and it wants the contrast bare.
The shape of the psalm
Everything in Psalm 62 hangs on one Hebrew particle. אַךְ is a small restrictive word — only, surely, nothing but — and it stands at the head of six verses out of twelve. The Authorised Version, translating for sense, renders it four different ways, which is good English and fatal to the pattern: a congregation following along cannot see that the same word is being struck six times like a bell.
| Verse | AV | What the particle is doing |
|---|---|---|
| 1 | “Truly my soul waiteth” | Opens the psalm on the word. Toward God alone — silence. |
| 2 | “He only is my rock” | Fastened to the rock: there is no second rock. |
| 4 | “They only consult” | The same exclusive word turned on the enemies. Their single-mindedness mirrors his. |
| 5 | “wait thou only upon God” | No longer a statement but an order — and he is giving it to himself. |
| 6 | “He only is my rock” | The refrain again — and one word shorter than verse 2. |
| 9 | “Surely men of low degree” | Applied to men, on a weighing scale. |
Around that spine the psalm falls into three movements, marked by its two Selahs.
| Verses | Movement | Spoken to |
|---|---|---|
| 1–2 | Silence, rock, salvation, defence — “not greatly moved” | Himself, about God |
| 3–4 | “How long will ye?” — the bowing wall, the blessing mouth | The conspirators · Selah |
| 5–6 | The same words as 1–2, as a command — and “moved” loses its qualifier | His own soul |
| 7 | Salvation, glory, rock, refuge — all of it “in God” | Himself, about God |
| 8 | “Trust in him at all times … pour out your heart” | The congregation · Selah |
| 9–10 | Men in the balance; oppression, robbery, increasing riches | The congregation |
| 11–12 | “Once … twice”: power belongs to God, and mercy | The congregation, quoting God |
Read down the third column and the psalm’s motion is plain. It begins as a soliloquy, turns aside to face the men undermining him, comes back and preaches to its own soul, and then — at verse 8 — lifts its head and speaks to everybody in the room. That is the lesson’s hinge, and it is the reason a private psalm is in a public songbook.
Part IToward God, silence vv. 1–4
vv. 1–2My soul is silence; I shall not be greatly moved
אַךְ אֶל־אֱלֹהִים דּוּמִיָּה נַפְשִׁי אַךְ־הוּא צוּרִי וִישׁוּעָתִי מִשְׂגַּבִּי לֹא־אֶמּוֹט רַבָּה
The Authorised Version supplies a verb that the Hebrew does not have. My soul waiteth upon God is smooth English for a clause with no verb in it at all: only — toward God — silence — my soul. The particle first, then the direction, then the word דּוּמִיָּה, and only then the soul it belongs to. The psalm opens by naming a condition, not an activity.
And the condition is not emptiness. דּוּמִיָּה is silence, stillness, the state of a man who has stopped talking — and the Psalter uses the root for a posture, not a mood: “Rest in the LORD, and wait patiently for him” is literally be silent to the LORD (Ps. 37:7). Jeremiah says “it is good that a man should both hope and quietly wait for the salvation of the LORD” (Lam. 3:26). Isaiah offered it to a nation shopping for allies — “in quietness and in confidence shall be your strength” — and recorded the answer in the same breath: “and ye would not” (Isa. 30:15). What is being given up in all three places is not speech. It is the search for a second option.
Notice also that the silence has a direction. It is silence toward God, which leaves the psalmist entirely free to raise his voice somewhere else — and in three verses’ time he will, at some length, at the men undermining him. It also leaves him free to say, in verse 8, pour out your heart. Silence toward God does not mean saying nothing to God. It means having nowhere else to go.
Then the first refrain, and its three metaphors are all stone. A צוּר is not a stone you pick up but the cliff you stand on, and Moses’ last song sets the word in its proper contest: “He is the Rock, his work is perfect”, and then “their rock is not as our Rock, even our enemies themselves being judges” (Deut. 32:4, 31). Paul puts a name to it: “that Rock was Christ” (1 Cor. 10:4). The מִשְׂגָּב, the high tower, is the same word Psalm 46 uses in its refrain; the word study is in the Psalm 46 lesson, and this lesson borrows it rather than repeating it.
Which leaves one word, and it is the one to keep a finger on. I shall not be greatly moved. The verb is מוֹט, to totter — the verb Psalm 46 uses of mountains and kingdoms — and רַבָּה, greatly, is doing honest work here. He is not claiming he will not be shaken. He is claiming he will not be shaken off. Read verse 6 when you get there and see whether the word is still in the sentence.
| אַךְ | Only, surely, nothing but — the psalm’s spine, six times over. See the shape section above. |
|---|---|
| דּוּמִיָּה | Silence, stillness; a posture rather than a mood (Ps. 37:7; Lam. 3:26; Isa. 30:15). Directional: silence toward God. |
| צוּר | Rock — the cliff, not the pebble (Deut. 32:4, 31; 1 Cor. 10:4). |
| מִשְׂגָּב | High tower; Psalm 46:7’s word. Studied at the Psalm 46 lesson. |
| רַבָּה | “Greatly.” Present in verse 2. Check verse 6. |
vv. 3–4A bowing wall; they bless and curse
עַד־אָנָה תְּהוֹתְתוּ עַל־אִישׁ כְּקִיר נָטוּי גָּדֵר הַדְּחוּיָה
This is the one place the psalm raises its voice, and it is worth letting the room hear the change. Two verses of stone and silence, and then he turns round and says how long?
The second half of verse 3 is genuinely hard, and honesty about that is better than a confident paraphrase. The Authorised Version reads it as a sentence passed on the attackers — ye shall be slain all of you — and then the images: קִיר נָטוּי, a leaning wall, and גָּדֵר הַדְּחוּיָה, a fence that has been shoved. Many read those two images as describing the conspirators rather than their victim, and the sense is sharper that way: you are the thing about to fall. Either construction leaves the picture intact. A wall already out of plumb does not need much of a push.
Verse 4 tells you what they are actually doing, and the psalm’s own word turns up again: אַךְ. They only consult to cast him down. His only is a rock; theirs is a project. They are as single-minded as he is, and what they are working at is מַשְׂאֵת — his height, the noun from the verb to lift: his standing, the place he has been raised to. They want him down off it.
And the method is not force but courtesy. They delight in lies: they bless with their mouth, but they curse inwardly. The Hebrew is blunter than it sounds — they take pleasure in a כָּזָב, a lie — and the mouth and the inward parts are set against each other in the same clause. The Psalter knows this animal well: “which speak peace to their neighbours, but mischief is in their hearts” (Ps. 28:3); “the words of his mouth were smoother than butter, but war was in his heart” (Ps. 55:21). Our Lord was betrayed with a kiss and asked about the method rather than the betrayal: “betrayest thou the Son of man with a kiss?” (Luke 22:48). Then Selah, and the room sits with it.
What the strophe does for the argument is set the weights. He is not pretending these men are harmless; they are numerous, organised and pleasant. He is saying they are not load-bearing.
| קִיר נָטוּי | A leaning wall — out of plumb before anyone touches it. |
|---|---|
| גָּדֵר הַדְּחוּיָה | A fence shoved over; from דחה, the same root as the “cast down” they intend in v. 4. |
| מַשְׂאֵת | Height, dignity, the lifted place — what they are working to take from him. |
| כָּזָב | A lie, a deception, and they delight in it. The word returns at v. 9 as the weight of men of rank. |
| יְבָרֵכוּ · יְקַלְלוּ | They bless / they curse — mouth and inward parts, same men, same sentence (Ps. 28:3; 55:21). |
Part IIThe same words, one short vv. 5–8
vv. 5–6Wait thou only upon God
אַךְ לֵאלֹהִים דּוֹמִּי נַפְשִׁי אַךְ־הוּא צוּרִי וִישׁוּעָתִי מִשְׂגַּבִּי לֹא אֶמּוֹט
Put verses 5–6 beside verses 1–2 and they look like a repeat. They are not. Two things have changed, and both of them are the lesson.
The first is grammatical. Verse 1 had דּוּמִיָּה, the noun — silence, my soul — a man describing his own condition. Verse 5 has דּוֹמִּי, the imperative: be silent, my soul. The description has become an order, and he is giving it to himself. In between, he has spoken his mind to his enemies. Having said his piece out loud, he turns on his own soul and tells it to stop.
This is the Psalter’s most characteristic manoeuvre and it is worth naming in the room, because most people do the opposite. “Why art thou cast down, O my soul? and why art thou disquieted within me? hope thou in God” (Ps. 42:5, 11; 43:5). “Bless the LORD, O my soul” (Ps. 103:1). “Return unto thy rest, O my soul” (Ps. 116:7). The believer is not the audience of his own inner life. He is expected to preach to it, and to be quite firm.
The second change is one word, and it is missing. Verse 2: I shall not be greatly moved. Verse 6: I shall not be moved. The Authorised Version preserves the difference exactly — רַבָּה is in the Hebrew of the first and absent from the second. Same clause, same verb, one qualifier gone.
Ask the room what happened in between, because the answer is instructive for being so thin. No new information arrived. The conspirators are exactly where they were; nobody has been vindicated, nothing has been resolved, and the psalm is still four verses from the end. What happened is that he said the true thing out loud, and then told his own soul to be quiet and listen to it. That is all. And the qualifier drops.
There is one more small movement worth pointing at. Verse 1 said from him cometh my salvation — what he has. Verse 5 says my expectation is from him — תִּקְוָה, the noun from the waiting verb, what he does not yet have. He has moved from possession to expectation, and got more confident, not less, in the moving.
| דּוֹמִּי | “Be silent” — the imperative of verse 1’s noun. A description turned into an order, addressed to his own soul. |
|---|---|
| תִּקְוָה | Expectation, hope; from קוה, the verb of waiting (Ps. 27:14; Lam. 3:25). |
| רַבָּה | “Greatly” — in verse 2, and not in verse 6. The single best observation in the psalm. |
| מוֹט | To totter; now denied flatly, with nothing hedging it. |
v. 7My glory, my strength, my refuge
עַל־אֱלֹהִים יִשְׁעִי וּכְבוֹדִי צוּר־עֻזִּי מַחְסִי בֵּאלֹהִים
One verse, four nouns, and a single preposition doing all the work: salvation, glory, the rock of my strength, refuge — and every one of them kept in God. It reads like a man taking inventory after a threat and finding that everything on the list is stored in the same place.
כָּבוֹד is the surprise. Glory is a strange thing for a man to claim for himself, and he is not claiming it: he is saying where it is kept. It answers verse 4 precisely. They were working to cast him down from his מַשְׂאֵת, the height he had been given; he replies that his weight is not held where their hands can reach it. David says the same thing in the morning after fleeing his own son: “thou, O LORD, art a shield for me; my glory, and the lifter up of mine head” (Ps. 3:3).
מַחְסִי, my refuge, is Psalm 46’s opening word, and again the lesson points rather than repeats. What matters here is that the psalm has just spent six verses on rock and tower and now adds refuge — the place you run into — and says that it, too, is in God and nowhere else. And עֹז, the strength of which God is the rock, will come back in the last verse as the content of what God actually said.
| כָּבוֹד | Glory, weight, honour — deliberately the answer to their designs on his height in v. 4 (Ps. 3:3). |
|---|---|
| צוּר־עֻזִּי | “Rock of my strength”; עֹז returns at v. 11 as the content of God’s own word. |
| מַחְסֶה | Refuge, shelter — Psalm 46:1’s word, studied at the Psalm 46 lesson. |
| בֵּאלֹהִים | “In God” — one preposition governing four nouns. Everything he owns is kept in one place. |
v. 8Trust at all times; pour out your heart
בִּטְחוּ בוֹ בְכָל־עֵת עָם שִׁפְכוּ־לְפָנָיו לְבַבְכֶם אֱלֹהִים מַחֲסֶה־לָנוּ
Here the psalm turns, and the turn is visible in the grammar. Everything up to this point has been singular — my soul, my rock, I shall not be moved — and the only people addressed so far were addressed as opponents. Verse 8 is three plural imperatives and a plural pronoun, aimed at the room. Trust ye. Pour ye out. God is a refuge for us.
That is why a private psalm is in a public songbook. A man argues himself into silence, preaches to his own soul until a qualifier drops out of his creed, and then — instead of keeping the result — turns round and hands it to everybody present. The lesson should not hurry past that. It is the pattern for every testimony worth giving.
בְּכָל־עֵת, at all times, is the psalm’s other absolute. Alongside the sixfold only there is now an always: not in emergencies, not when the wall starts leaning, but at every time. The only tells you where to put your weight and the always tells you when.
And then the clause that keeps the psalm from being mistaken for stoicism. Pour out your heart before him. שָׁפַךְ is what you do with a liquid — and the Old Testament’s clearest instance is a woman accused of being drunk in the sanctuary, answering “I have poured out my soul before the LORD” (1 Sam. 1:15). Jeremiah says “pour out thine heart like water before the face of the Lord” (Lam. 2:19). So the silence of verse 1 and the pouring out of verse 8 are not in tension, and the room should be told so plainly: the silence is toward rivals, and the pouring out is toward God. The psalm asks for exclusivity in trust, not composure in prayer.
It closes on מַחֲסֶה־לָנוּ — a refuge for us. In verse 7 it was my refuge. One pronoun has changed, and with it the whole address of the psalm. Selah.
| בִּטְחוּ | “Trust ye” — the first plural imperative in the psalm, and the moment it stops being private. |
|---|---|
| בְּכָל־עֵת | “At every time”; the psalm’s only acquires an always. |
| שָׁפַךְ | To pour out — of Hannah’s soul (1 Sam. 1:15) and of the heart “like water” (Lam. 2:19). Not composure; exclusivity. |
| מַחֲסֶה־לָנוּ | “A refuge for us” — verse 7’s my refuge, restated in the plural. |
Part IIIWeighed in the balance vv. 9–12
v. 9Low degree and high degree, lighter than vanity
אַךְ הֶבֶל בְּנֵי־אָדָם כָּזָב בְּנֵי אִישׁ בְּמֹאזְנַיִם לַעֲלוֹת הֵמָּה מֵהֶבֶל יָחַד
The sixth and last אַךְ, and it lands on men. Everything the psalm has said about God it now says, in reverse, about the alternatives.
The two phrases the Authorised Version renders low degree and high degree are בְּנֵי־אָדָם, sons of Adam — men as earth-creatures, the ordinary word — and בְּנֵי אִישׁ, sons of a man in the sense of a man of standing. The commoner is הֶבֶל, a breath; the notable is כָּזָב, a lie — which is the very word used of what the conspirators delighted in at verse 4. Note that the psalm is not flattering the poor at the expense of the great, or the reverse. It weighs both, and neither registers.
הֶבֶל is the word Ecclesiastes repeats until the reader gives in: vapour, breath, the mist off a pond. The usual English vanity suggests worthlessness, and that is not quite it. A breath is not worthless — you are breathing one now. It is unholdable. You cannot lean on it, and that is the psalm’s complaint about men, including good ones.
Then the image, which is exact and easy to read past. בְּמֹאזְנַיִם לַעֲלוֹת — in the balances, to go up. On a two-pan balance, the lighter pan is the one that rises. Put the whole of humanity in together — יָחַד, altogether, high and low in the same pan — and the pan goes up. Isaiah weighs the nations the same way: “the nations are as a drop of a bucket, and are counted as the small dust of the balance” (Isa. 40:15). Belshazzar had the result written on his own wall in the middle of a party: “TEKEL; Thou art weighed in the balances, and art found wanting” (Dan. 5:27). And Proverbs says whose scales they are: “a just weight and balance are the LORD‘s” (Prov. 16:11).
This is not misanthropy, and the lesson should say so before someone takes it that way. It is arithmetic in the service of verse 8. He has just told the room to trust God at all times; verse 9 is the reason there is no competing offer.
| הֶבֶל | Vapour, breath — Ecclesiastes’ word. Not “worthless” but unholdable. |
|---|---|
| כָּזָב | A lie; what the conspirators delighted in at v. 4, now the recorded weight of men of rank. |
| בְּנֵי־אָדָם · בְּנֵי אִישׁ | Sons of Adam / sons of a man — the AV’s “low degree” and “high degree”. Both go on the scale. |
| מֹאזְנַיִם | Balances; the lighter pan is the one that rises (Isa. 40:15; Dan. 5:27; Prov. 16:11). |
v. 10If riches increase, set not your heart
אַל־תִּבְטְחוּ בְעֹשֶׁק וּבְגָזֵל אַל־תֶּהְבָּלוּ חַיִל כִּי־יָנוּב אַל־תָּשִׁיתוּ לֵב
The verb is the one from verse 8, now negated: trust ye in him — בִּטְחוּ — and trust ye not in this. The psalm never suggests you might stop trusting. It assumes you will not, and spends its time on the question of where.
אַל־תֶּהְבָּלוּ is worth showing the room, because it is a verb built out of the noun in verse 9. Literally: do not become vapour. The Authorised Version’s become not vain is accurate and loses the joint. You take the character of the thing you trust — “they that make them are like unto them; so is every one that trusteth in them” (Ps. 115:8) — and Jeremiah states the rule with the same word twice over: “they have walked after vanity, and are become vain” (Jer. 2:5). Trust a breath, become one. That is the most practical sentence in the psalm.
The second half is the sharper warning, because it is not about theft. יָנוּב is an agricultural word — to bear fruit, to yield — so the case is honest increase: the business grows, the investment comes good, the year goes well. That is the moment the psalm chooses to speak, and what it forbids is not the money but the attachment: אַל־תָּשִׁיתוּ לֵב, set not the heart. Moses warned a nation about to become comfortable in exactly this order — full houses, then “thine heart be lifted up, and thou forget the LORD thy God” (Deut. 8:12–14). Solomon: “he that trusteth in his riches shall fall” (Prov. 11:28). Our Lord told the story of a man whose ground brought forth plentifully and who never once did anything dishonest (Luke 12:15–21). And Paul gives Timothy the charge in the psalm’s own terms: “that they trust not in uncertain riches, but in the living God” (1 Tim. 6:17).
| בָּטַח | To trust — verse 8’s verb, here negated twice. Not whether you trust, but where. |
|---|---|
| אַל־תֶּהְבָּלוּ | “Become not vapour” — a verb from הֶבֶל. You take the character of what you trust (Ps. 115:8; Jer. 2:5). |
| עֹשֶׁק · גָּזֵל | Extortion and robbery — wealth taken by pressure or by force. |
| נוּב | To bear fruit, to yield; the second warning is aimed at honest increase (Deut. 8:12–14; Luke 12:15–21). |
vv. 11–12Once, twice: power, and mercy
אַחַת דִּבֶּר אֱלֹהִים שְׁתַּיִם־זוּ שָׁמָעְתִּי כִּי עֹז לֵאלֹהִים וּלְךָ־אֲדֹנָי חָסֶד
The psalm closes on a standard Hebrew form, the numerical saying: once … twice, as Job has it — “God speaketh once, yea twice, yet man perceiveth it not” (Job 33:14; cf. 40:5) — and Proverbs — “these six things doth the LORD hate: yea, seven” (Prov. 6:16). The form is not arithmetic. It signals that the last item in the list carries the weight.
So: God said one thing, and what the psalmist heard was two. First, עֹז — power belongeth unto God. That is the word from verse 7, and it settles verses 3–4: the leaning wall has no strength that was not lent. Second, and this is where the sentence turns: also unto thee, O Lord, belongeth חֶסֶד — covenant mercy, loyal love, the steadfastness God binds himself to. Power without mercy would be a threat. Mercy without power would be a kind wish. The psalm refuses to let the room have either on its own, and says they were one utterance heard properly.
Watch the pronouns in the last two verses, because the psalm does one more thing before it stops. For eleven verses God has been spoken about — he is my rock, God is a refuge for us. In verse 12 the psalmist turns and speaks to him: also unto thee, O Lord. And this is the only place in the psalm where the title אֲדֹנָי appears — my Master. A meditation that began in silence ends in address.
Which leaves the last clause, and it is the hard one: for thou renderest to every man according to his work. Paul quotes it (Rom. 2:6), our Lord quotes it (Matt. 16:27), the Revelation ends on it (Rev. 22:12), and Proverbs has it already (Prov. 24:12). It is not an intrusion of bookkeeping into a psalm about trust. It is the ground of the trust: a God who has the power to act and the character to repay is the only surface in the psalm that will bear weight. What that clause does and does not mean for justification is the subject of the next section, and it should not be left to an aside.
| אַחַת · שְׁתַּיִם | “Once … twice” — the numerical saying, in which the second item is the weight (Job 33:14; 40:5; Prov. 6:16). |
|---|---|
| עֹז | Strength, power — verse 7’s word, and Psalm 46:1’s. |
| חֶסֶד | Covenant love, steadfast mercy; paired with power and never let out of its company. |
| אֲדֹנָי | “My Lord” — the psalm’s only use of the title, and the point where it stops talking about God and starts talking to him. |
Only, alone, and the Reformation solas
October puts this psalm on the list under the heading Faith Alone, and the heading is right about the psalm’s temperature while being slightly loose about its grammar. It is worth getting the joint exactly right, because the psalm will preach better for it.
The Reformation’s slogans are all one kind of sentence. Scripture alone. Faith alone. Grace alone. Christ alone. To God alone be glory. Notice what was actually in dispute in the sixteenth century: not whether Scripture had authority, not whether faith mattered, not whether grace was necessary, not whether Christ saved. Every one of those was granted on both sides. The fight was over one word — alone — and alone is a subtractive word. It does not add God to the account; it closes the account. The solas are a grammar of exclusion.
Which is precisely what אַךְ is. Six times in twelve verses this psalm strikes an exclusive particle, and every strike removes something from a list: no second rock (vv. 2, 6), no weight in men high or low (v. 9), nothing to be got from extortion or from honest increase (v. 10). Psalm 62 is the Psalter’s training ground in the kind of sentence the Reformation was fought over.
But keep the distinction. The psalm’s only governs the object of trust — he only is my rock — and not the instrument of justification. What it teaches directly is solus Deus and soli Deo gloria. Sola fide follows as the correlate rather than the subject: faith is called alone because what it takes hold of is an only, and a trust that adds a second rock to the first is not trusting the first. The psalm gets you to the alone; Paul tells you what the hand is called.
| The psalm says | And excludes | Reads on to |
|---|---|---|
| vv. 2, 6 — “He only is my rock” | Any second rock, and any supplement to the first | Solus Deus — direct |
| v. 8 — “Trust in him at all times” | The whole congregation is asked for one thing, and it is not payment | Sola fide — by correlation |
| v. 9 — men, weighed, lighter than a breath | Patron, protector, party, prince | Solus Christus — the one rock is a person (1 Cor. 10:4) |
| v. 10 — “if riches increase, set not your heart” | The respectable alternative: honest wealth | Sola gratia — nothing brought |
| v. 11 — “God hath spoken once; twice have I heard” | Any other authority worth counting | Sola scriptura — by extension |
| v. 12 — “unto thee, O Lord, belongeth mercy” | Mercy as anyone else’s to dispense | Soli Deo gloria — direct |
Which brings the psalm back to its own scales. Verse 9 put men in the balance and the pan went up. Verse 12 says who is holding it. A congregation that has followed the argument that far has been taught the whole logic of an alone: not that other things are bad, but that they will not bear weight — and that the one who can bear it has, in the last line of the psalm, both the power to act and the character to deal faithfully.
Singing Psalm 62
This psalm is handed to Jeduthun, and it sings differently from Psalm 46. There is no shouting in it. It is a man talking himself down off a ledge in public, and the congregation is not brought in until verse 8 — which gives a leader an unusually good structure to work with.
Metre and settings
| Setting | Metre | Notes |
|---|---|---|
| Scottish Psalter (1650), Ps. 62 | CM (8.6.8.6) | Opens “My soul with expectation / depends on God indeed.” Public domain, and it keeps the psalm’s two refrains close enough to hear the repetition. |
| The Book of Psalms for Worship (Crown & Covenant), 62A / 62B | Check the edition | Two settings, not in the same metre. Choose one and stay with it; this is a psalm to be known by heart rather than read off a sheet. |
| The Psalter (1912), Ps. 62 | Check the edition | Confirm which selection your book numbers as Psalm 62 before printing an order of service. |
Check stanza numbering against the edition in your hands — and in this psalm check one thing more: that the version you are singing keeps the difference between “not greatly moved” (v. 2) and “not moved” (v. 6). Some metrical settings smooth the two lines into one, which quietly deletes the point of the psalm.
Suggested CM tunes
- CAITHNESS — Scottish, plain and inward; the natural companion to the 1650 text here.
- MARTYRDOM — minor and weighted; suits verses 3–4 and the weighing of verse 9.
- ST. FLAVIAN — unhurried and old; good if the room is singing the psalm straight through.
- DUNDEE (French) — steady and quickly learned, for a congregation meeting this psalm for the first time.
Leading suggestion
The repetition is the sermon, so let the singing carry it rather than the introduction. Sing verses 1–2 quietly. Then read verses 3–4 aloud, one voice, without comment. Then sing verses 5–6 full and unaccompanied if you can. Most of the room will hear that the second refrain is shorter before anyone explains why, and a point heard is worth three points explained.
Stop at the Selah after verse 8. That is where the psalm stops being one man’s business and becomes the congregation’s, and a silence there does the work of a paragraph. Take verses 9–12 more briskly; they are the arithmetic, and they should feel like a verdict rather than a meditation.
In Reformation month, sing this beside Psalm 46 and say why they belong together. They share four words — refuge, strength, high tower, and the verb totter. Psalm 46 says the city shall not be moved; Psalm 62 says the man shall not be moved, in the same verb. One is sung by people under siege; the other by a man being quietly pushed at work. The lesson on the first is at Psalm 46.
The psalm’s own settings, recordings and music sheets are collected on its psalter page, with recordings here.