The Psalm
To the chief Musician for the sons of Korah, A Song upon Alamoth.
- God is our refuge and strength, a very present help in trouble.
- Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea;
- Though the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. Selah.
- There is a river, the streams whereof shall make glad the city of God, the holy place of the tabernacles of the most High.
- God is in the midst of her; she shall not be moved: God shall help her, and that right early.
- The heathen raged, the kingdoms were moved: he uttered his voice, the earth melted.
- The LORD of hosts is with us; the God of Jacob is our refuge. Selah.
- Come, behold the works of the LORD, what desolations he hath made in the earth.
- He maketh wars to cease unto the end of the earth; he breaketh the bow, and cutteth the spear in sunder; he burneth the chariot in the fire.
- Be still, and know that I am God: I will be exalted among the heathen, I will be exalted in the earth.
- The LORD of hosts is with us; the God of Jacob is our refuge. Selah.
Setting and occasion
The superscription gives the choir, the voicing and the genre, and withholds the date. For the sons of Korah: the Levitical guild descended from the man the ground swallowed for trying to seize a priesthood that was not his (Num. 16:31–33) — and the line did not die with him (Num. 26:11). The descendants of the wilderness’s most famous usurper spent their lives singing about a city that cannot be taken. Upon Alamoth: the Authorised Version transliterates rather than translates, because nobody is certain. The word is built on almah, a young woman, and the likeliest reading is a voicing — the treble part. A Song: not a lament, and not a prayer. Nobody asks God for anything in these eleven verses.
The occasion most often proposed is the night the Assyrian army camped around Jerusalem and was not there in the morning (2 Kgs 18–19; Isa. 36–37). Three details fit it almost too well. Hezekiah had cut a tunnel to bring the waters of Gihon inside the wall before the siege closed (2 Chr. 32:2–4, 30) — and Jerusalem, alone among the great cities of the ancient world, has no river. The angel struck the camp so that “when they arose early in the morning, behold, they were all dead corpses” (2 Kgs 19:35) — and verse 5 says that God helps at the turning of the morning. And a siege that ends in broken bows and burnt chariots is what the Assyrian withdrawal looked like from inside the wall.
The fit is good enough that many date the psalm to Hezekiah’s reign, and loose enough that others read it as a temple song for any threatened year, or as a picture of the end. The lesson does not have to choose, and it is better not to. What the psalm claims is not tied to one siege: it says that the city God is in does not fall, and it says so in language large enough to cover a particular Assyrian night and the last day both. Luther, who had no Assyrians, found it fitted his case exactly.
The shape of the psalm
Three strophes, each closed by Selah: verses 1–3, 4–7, 8–11. Two of them end with the same couplet — The LORD of hosts is with us; the God of Jacob is our refuge (vv. 7, 11) — and the symmetry is near enough that many suppose a third refrain once stood after verse 3 and dropped out. Take that as a conjecture and not a finding; the psalm preaches whole as it stands.
| Verses | Movement | Marker |
|---|---|---|
| 1 | Refuge, strength, a help very present | The claim |
| 2–3 | Earth removed, mountains in the sea, waters roaring | Selah |
| 4 | A river, and its streams gladden the city of God | |
| 5 | God in the midst of her; she shall not be moved | The centre |
| 6 | Nations roar, kingdoms totter, the earth melts at his voice | |
| 7 | “The LORD of hosts is with us” | Refrain · Selah |
| 8–9 | Come, behold: bow broken, spear cut, chariot burned | |
| 10 | “Be still, and know that I am God” | God speaks |
| 11 | “The LORD of hosts is with us” | Refrain · Selah |
The three strophes are not three subjects. They are one argument made three times — in nature, in politics, and in war — and a single verb ties them together. Mot means to totter, to slip, to give way underfoot. The mountains totter into the sea in verse 2. The kingdoms totter in verse 6. The city does not totter in verse 5, and that is the only place in the psalm where the verb is denied. The centre of the poem is the one thing in it that holds still.
Part IThough the earth be removed vv. 1–3
v. 1Refuge, strength, help very present
אֱלֹהִים לָנוּ מַחֲסֶה וָעֹז עֶזְרָה בְצָרוֹת נִמְצָא מְאֹד
The Hebrew puts God first and us second, before it says what he is: God — for us — a refuge. The Authorised Version’s our refuge is the same sense in smoother English, but the word order is worth keeping in the ear, because the psalm is going to spend eleven verses taking things away and it starts by saying which way round the possession runs.
מַחֲסֶה is a place, not a mood. It is the crag or the shelter you run into when the weather turns, and the Old Testament uses it that way without apology: “the eternal God is thy refuge, and underneath are the everlasting arms” (Deut. 33:27); “I will say of the LORD, He is my refuge and my fortress” (Ps. 91:2); “the name of the LORD is a strong tower: the righteous runneth into it, and is safe” (Prov. 18:10). You cannot be in a mood; you can be in a tower. Beside it stands עֹז, strength — so the hiding place is not a weak one. Moses sang both words together on the far side of the sea: “The LORD is my strength and song, and he is become my salvation” (Ex. 15:2).
Then the phrase the AV renders a very present help. The Hebrew is נִמְצָא מְאֹד, found exceedingly — the niphal of מָצָא, the ordinary verb for finding a thing you looked for. It is the verb of “seek ye the LORD while he may be found” (Isa. 55:6), of “if ye seek him, he will be found of you” (2 Chr. 15:2), and of “ye shall seek me, and find me, when ye shall search for me with all your heart” (Jer. 29:13). The writer to the Hebrews puts the finding and the helping in one clause: “come boldly unto the throne of grace, that we may obtain mercy, and find grace to help in time of need” (Heb. 4:16). So verse 1 is not the claim that God is nearby in principle. It is the report of a congregation that went looking in a bad year and came back saying he was there. The catechism keeps the same tense: God “will also make whatever evils he sends upon me in this valley of tears turn out to my advantage” (Heidelberg Q. 26).
| מַחֲסֶה | Refuge, shelter — a location you run into, not a temperament (Deut. 33:27; Ps. 91:2; Prov. 18:10). |
|---|---|
| עֹז | Strength, might; paired with the shelter so that the hiding place is also the power (Ex. 15:2; Ps. 28:7). |
| עֶזְרָה | Help — and the troubles are plural: help sized for more than one kind of year (Ps. 121:1–2). |
| נִמְצָא מְאֹד | “Found exceedingly.” The verb of Isa. 55:6 and Heb. 4:16. Not merely available — located. |
vv. 2–3Mountains carried into the midst of the sea
עַל־כֵּן לֹא־נִירָא בְּהָמִיר אָרֶץ וּבְמוֹט הָרִים בְּלֵב יַמִּים
Therefore. The fearlessness is a conclusion, not a temperament — it is drawn from verse 1 and it would collapse without it. And notice the person: Psalm 27 says I, Psalm 46 says we. This is a congregational nerve, held together by singing.
What is conceded is total. מוּר is the verb for swapping one thing for another — “they changed their glory into the similitude of an ox” (Ps. 106:20), “hath a nation changed their gods?” (Jer. 2:11) — so the AV’s though the earth be removed means something closer to when the earth is traded in. Then מוֹט, to totter, to give way underfoot, and it is the mountains that do it: the standing things, the things a man points at when he wants an image for permanence, sliding into לֵב יַמִּים, the heart of the seas — the phrase Ezekiel uses for the place where Tyre goes down (Ezek. 27:26–27) and Jonah uses for where he was (Jonah 2:3). The sea in Scripture is not scenery. It is the un-place, the old chaos, and the prophets use its noise for the noise of the nations: “Woe to the multitude of many people, which make a noise like the noise of the seas” (Isa. 17:12). Verse 3 finishes the picture with the waters roaring and foaming and the mountains quaking at the sea’s גַּאֲוָה, its swelling — the same noun the Psalter uses for human pride (Ps. 10:2). Then Selah: stop, and let the room hear that nothing has been promised about the mountains.
Which is the strophe’s argument. The psalm does not say the mountains will hold. It says that when they do not, the singers will not be afraid — and Hebrews says why that follows: “Yet once more I shake not the earth only, but also heaven … that those things which cannot be shaken may remain” (Heb. 12:26–27). The shaking is not the end of the world’s order; it is the sorting of it. Our Lord described the same two responses to the same water — “the sea and the waves roaring; men’s hearts failing them for fear” (Luke 21:25–26) — and told a story about two houses in one flood, where the only difference was the rock (Matt. 7:24–27). John, at the end, records the sea’s abolition: “and there was no more sea” (Rev. 21:1).
| מוּר | To change, exchange, trade in; the AV’s “be removed.” The earth itself swapped out (Ps. 106:20; Jer. 2:11). |
|---|---|
| מוֹט | To totter, slip, give way. The first of three: the mountains here, the kingdoms in v. 6, and the city that does not in v. 5. |
| לֵב יַמִּים | “The heart of the seas” — the deep as an un-place (Ezek. 27:26–27; Jonah 2:3). |
| גַּאֲוָה | Swelling, surge, pride; one noun for the sea’s rising and for a man’s (Ps. 10:2). |
Part IIA river, and a city vv. 4–7
v. 4There is a river
נָהָר פְּלָגָיו יְשַׂמְּחוּ עִיר־אֱלֹהִים קְדֹשׁ מִשְׁכְּנֵי עֶלְיוֹן
Jerusalem has no river. Nineveh had the Tigris and Nahum taunts Thebes for being “situate among the rivers” and falling anyway (Nah. 3:8); Babylon had the Euphrates; Egypt had the Nile, and a whole theology with it. Jerusalem has a spring outside the wall and a conduit, and in the year Assyria came Hezekiah cut a tunnel through rock to bring the water inside (2 Chr. 32:2–4, 30). So when the psalm says there is a river, it is not describing the geography. It is making a claim.
פֶּלֶג is not wild water: it is a channel, a cutting, water directed — the word in “a tree planted by the rivers of water” (Ps. 1:3) and in “the king’s heart is in the hand of the LORD, as the rivers of water: he turneth it whithersoever he will” (Prov. 21:1). Set that against the strophe just finished. Outside the city the water roars and foams and heaves the mountains; inside, the water is quiet, cut to a course, and its only recorded effect is gladness. Isaiah put the two waters side by side in this very crisis: because the people “refuseth the waters of Shiloah that go softly,” the LORD brings up “the waters of the river, strong and many, even the king of Assyria” until it reaches “even to the neck” — and then breaks off mid-flood to say “for God is with us” (Isa. 8:6–8). The little conduit and the imperial river are the two waters of Psalm 46.
The river also has a history in both directions. One went out of Eden (Gen. 2:10). One runs out from under the temple threshold in Ezekiel, getting deeper the further it goes, so that “every thing shall live whither the river cometh” (Ezek. 47:1–9). Zechariah says “living waters shall go out from Jerusalem” (Zech. 14:8). Our Lord stood in the temple at the water-drawing feast and said the river was a person and would be in people: “out of his belly shall flow rivers of living water” (John 7:38). And the last page of the Bible shows it arriving: “a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb” (Rev. 22:1). The city’s water supply has always been small, hidden and enough.
| נָהָר | River — the one thing Jerusalem does not have, and the thing the psalm says it has (cf. Nah. 3:8; Isa. 33:21). |
|---|---|
| פֶּלֶג | Channel, conduit, cut water — directed, not wild (Ps. 1:3; Prov. 21:1). |
| מִשְׁכָּן | Dwelling, tabernacle; the tent word, carried over to the temple — and to John 1:14. |
| עֶלְיוֹן | Most High — Melchizedek’s title for God, spoken over this city before Israel existed (Gen. 14:18–20). |
v. 5God is in the midst of her
אֱלֹהִים בְּקִרְבָּהּ בַּל־תִּמּוֹט יַעְזְרֶהָ אֱלֹהִים לִפְנוֹת בֹּקֶר
Here is the centre, and it is built out of one word already heard twice. בַּל־תִּמּוֹט — she shall not totter: the negated מוֹט. The mountains tottered in verse 2 and the kingdoms will totter in verse 6, and this is the only place in the psalm where the verb is denied. Everything the psalm shows you moving, moves; the one thing that does not is a city with no natural defences and no river.
The reason given is not a wall, an army or a king. It is a preposition: בְּקִרְבָּהּ, in her midst. Moses had already staked everything on it — “if thy presence go not with me, carry us not up hence … so shall we be separated, I and thy people, from all the people that are upon the face of the earth” (Ex. 33:15–16). Zephaniah says it back to a restored city: “the LORD thy God in the midst of thee is mighty” (Zeph. 3:17). Ezekiel ends his book by making it the city’s name: “the LORD is there” (Ezek. 48:35). John says the tabernacle became flesh “and dwelt among us” (John 1:14), and the Revelation closes the circle: “the tabernacle of God is with men” (Rev. 21:3). The city is safe because of who is inside it, which is why our Lord could promise that “the gates of hell shall not prevail against it” (Matt. 16:18) without promising it a quiet century. The Confession is carefully honest about the shape this takes in history: the church has been “sometimes more, sometimes less visible,” and yet “there shall be always a Church on earth” (WCF 25.4–5).
And then the timing, which is the mercy of the verse and the hardest part of it. לִפְנוֹת בֹּקֶר is at the turning of the morning — the AV’s right early. Not at once. At dawn, which means there is a night first, and the singers are expected to sit through it. It is the hour of the Red Sea, when “in the morning watch the LORD looked unto the host of the Egyptians” (Ex. 14:24); the hour outside Jerusalem, when “they arose early in the morning, and, behold, they were all dead corpses” (2 Kgs 19:35); the hour of “weeping may endure for a night, but joy cometh in the morning” (Ps. 30:5) and of mercies that are “new every morning” (Lam. 3:22–23). And it is the hour the women came to the tomb, “very early in the morning the first day of the week” (Mark 16:2), and found the stone rolled away. That is the turning of the morning to which all the others were pointing.
| בְּקִרְבָּהּ | “In her midst” — the city’s whole defence, stated as a preposition (Ex. 33:15–16; Zeph. 3:17; Ezek. 48:35). |
|---|---|
| בַּל־תִּמּוֹט | “She shall not totter” — the only negated מוט in the psalm, standing at its centre. |
| עָזַר | To help; the verb of the noun in v. 1, now with the city as its object. |
| לִפְנוֹת בֹּקֶר | “At the turning of the morning” — Ex. 14:24; 2 Kgs 19:35; Ps. 30:5; and Mark 16:2. |
v. 6The heathen raged; the earth melted
הָמוּ גוֹיִם מָטוּ מַמְלָכוֹת נָתַן בְּקוֹלוֹ תָּמוּג אָרֶץ
Both verbs are borrowed. הָמוּ is what the waters did in verse 3, and מָטוּ is what the mountains did in verse 2. The psalm is not changing the subject from nature to politics; it is telling you they are the same subject. The nations are the sea. Isaiah says it outright — “the rushing of nations, that make a rushing like the rushing of mighty waters” (Isa. 17:12–13) — and the second Psalm opens on the same noise: “Why do the heathen rage, and the people imagine a vain thing?” (Ps. 2:1).
Against all of which God does exactly one thing. He uttered his voice. No army is mentioned on his side of the verse; the idiom נָתַן בְּקוֹלוֹ is the one used for thunder (Ps. 18:13), and the result is תָּמוּג — the earth melts, goes soft, like wax (Nah. 1:5; Amos 9:5). Put the two halves side by side and the proportions are the point: an uproar of nations answered by a sentence. The church in Acts had this verse’s grammar exactly right. Hauled in front of the council, they quoted Psalm 2 back to God and then asked, not to be rescued, but “that with all boldness they may speak thy word” (Acts 4:25–29).
| הָמָה | To roar, to be in tumult — used of the waters in v. 3 and of the nations here. One noise, two names. |
|---|---|
| מוֹט | To totter; the kingdoms now do what the mountains did, and what the city does not. |
| נָתַן בְּקוֹלוֹ | “He gave forth with his voice” — the idiom for thunder (Ps. 18:13). |
| מוּג | To melt, dissolve; the earth as wax before him (Nah. 1:5; Amos 9:5). |
v. 7The refrain: with us, our refuge
יְהוָה צְבָאוֹת עִמָּנוּ מִשְׂגָּב־לָנוּ אֱלֹהֵי יַעֲקֹב
The AV says refuge here as it did in verse 1, but the Hebrew has changed the word. מִשְׂגָּב comes from a root meaning to be high, inaccessible: not the cave you hide in but the crag nothing can climb. It is David’s word — “the LORD also will be a refuge for the oppressed, a refuge in times of trouble” (Ps. 9:9), “my high tower” (Ps. 18:2), “the God of my mercy” who is “my defence” (Ps. 59:9, 17) — and it stands behind Solomon’s “the name of the LORD is a strong tower” (Prov. 18:10). It is also, as the next section will show, the word a German monk turned into a hymn.
The first two words of the refrain are the ones to sing slowly. עִמָּנוּ — with us — is half of עִמָּנוּ אֵל, Immanuel. Isaiah had given that name to a child in the same reign and the same emergency (Isa. 7:14), and then flung the phrase at the invading coalition: “Take counsel together, and it shall come to nought; speak the word, and it shall not stand: for God is with us” (Isa. 8:10). Matthew picks the name up and translates it for anyone who missed it: “God with us” (Matt. 1:23). The choir of the sons of Korah is singing Isaiah’s defiance as a chorus.
And the two titles are deliberately unmatched. The LORD of hosts is the God of armies — the name David threw at Goliath (1 Sam. 17:45), the horses and chariots of fire around Elisha that the servant could not see until his eyes were opened (2 Kgs 6:16–17), the name Hezekiah used when he spread the Assyrian letter out before him (Isa. 37:16). The God of Jacob is the God of a man on the run with a stone for a pillow, who woke and said “this is none other but the house of God, and this is the gate of heaven” (Gen. 28:11–17). The armies and the fugitive are the same God, and the city needs him under both descriptions. Selah.
| מִשְׂגָּב | High fortress, inaccessible height (Ps. 9:9; 18:2; Prov. 18:10) — the word behind ein feste Burg. |
|---|---|
| עִמָּנוּ | “With us” — the first half of עִמָּנוּ אֵל, Immanuel (Isa. 7:14; 8:10; Matt. 1:23). |
| צְבָאוֹת | Hosts, armies (1 Sam. 17:45; 2 Kgs 6:16–17; Isa. 37:16). |
| אֱלֹהֵי יַעֲקֹב | The God of a fugitive with a stone for a pillow (Gen. 28:11–17) — not only the God of the impressive. |
Part IIICome, behold; be still vv. 8–11
vv. 8–9What desolations he hath made
לְכוּ־חֲזוּ מִפְעֲלוֹת יְהוָה אֲשֶׁר־שָׂם שַׁמּוֹת בָּאָרֶץ
Two imperatives: go and look. The psalm takes the congregation outside the wall and shows them a battlefield. If the occasion is the one the lesson sketched at the start, the morning after was a camp of a hundred and eighty-five thousand men who did not wake up (2 Kgs 19:35). A siege lifted does not look tidy. It looks like wreckage, and the psalm calls the wreckage מִפְעֲלוֹת יְהוָה, the works of the LORD. There is a pun under it that no English version carries: שָׂם שַׁמּוֹת, he has set desolations — the same consonants twice, the deed and its result rhyming.
Then verse 9 names what the desolating was for, and the verb is a surprise. מַשְׁבִּית is the causative of שָׁבַת, the sabbath verb: God makes the wars keep sabbath, and not locally — unto the end of the earth. And he does it by disarmament rather than by superior armament. The bow is broken, the spear cut in two, the chariot burnt; the arsenal is itemised and destroyed. It is the same future Isaiah and Micah saw with the swords beaten into plowshares (Isa. 2:4; Mic. 4:3), the same as “there brake he the arrows of the bow, the shield, and the sword, and the battle” (Ps. 76:3), and the same as Zechariah’s messianic king who “shall cut off the chariot from Ephraim, and the horse from Jerusalem … and he shall speak peace unto the heathen” (Zech. 9:10). This peace is not negotiated between powers. It is imposed by taking the weapons away, and the psalm is content for that to be visible, in the earth, at the end of it.
| מִפְעָלוֹת | Works, deeds — what the congregation is ordered to come out and look at. |
|---|---|
| שָׂם שַׁמּוֹת | “Set desolations”; a pun in the consonants that no English version carries over. |
| מַשְׁבִּית | Causative of שָׁבַת, the sabbath verb: he makes the wars cease — makes them keep sabbath. |
| קֶשֶׁת · חֲנִית · עֲגָלוֹת | Bow, spear, carts: the arsenal itemised and destroyed (Ps. 76:3; Zech. 9:10). |
v. 10Be still, and know that I am God
הַרְפּוּ וּדְעוּ כִּי־אָנֹכִי אֱלֹהִים אָרוּם בַּגּוֹיִם אָרוּם בָּאָרֶץ
This is the most quoted line in the psalm and the most often turned upside down. הַרְפּוּ is not a word for tranquillity. It is the hiphil imperative of רָפָה, to slacken, to drop, to let fall — the same form as Moses’ “let me alone, that I may destroy them” (Deut. 9:14) and the Psalter’s own “cease from anger, and forsake wrath” (Ps. 37:8). It means drop it. And the second half of the verse says who is being told: I will be exalted among the heathen — the raging nations of verse 6, whose weapons verse 9 has just broken. Verse 10 is the order that follows the disarming. It is a cease-fire, shouted across a field.
That does not make the verse useless to an anxious Christian; it makes it sterner and better. What it offers is not a technique for calm but a command to stop fighting, on the ground that the outcome is already settled — which is exactly what Moses told a cornered people at the sea: “stand still, and see the salvation of the LORD … the LORD shall fight for you, and ye shall hold your peace” (Ex. 14:13–14). Notice too the order of the clauses. The knowing comes after the dropping. The hands have to be empty before the eyes work.
And the verb of the second half is future twice over. אָרוּם — I will be exalted — among the nations and in the earth; not withdrawn from it, not instead of it. Isaiah says the day is coming when “the LORD alone shall be exalted” (Isa. 2:11, 17), and Paul says where the exalting began: God “hath highly exalted him, and given him a name which is above every name” (Phil. 2:9). The psalm expects the sentence to become visible on the same earth that was melting in verse 6.
| רָפָה | To slacken, drop, let go. The imperative of Deut. 9:14 and Ps. 37:8 — surrender, not serenity. |
|---|---|
| יָדַע | To know; in this verse the knowledge follows the dropping rather than producing it. |
| אָנֹכִי | The long “I” — the pronoun of “I am the LORD thy God” (Ex. 20:2). |
| רוּם | To be high, exalted; twice, and both times future (Isa. 2:11, 17; Phil. 2:9). |
v. 11The refrain returns
יְהוָה צְבָאוֹת עִמָּנוּ מִשְׂגָּב־לָנוּ אֱלֹהֵי יַעֲקֹב סֶלָה
Not one word has changed, and that is the whole point of a refrain. The sentence that was true before the earth was traded in is the sentence that is true after the bows are broken. Between the two singings of it the psalm has emptied the sea onto the mountains, set the nations roaring, melted the ground and burnt the chariots — and then it says the same thing again, in the same words, at the same length. The congregation sings it twice; the second time it carries more, though it says no more.
Notice what the psalm never does. It does not describe the city’s walls. It does not count its soldiers, name its king, or once mention the temple’s gold. Its entire case for the city is the sentence it repeats. Paul reaches the same end of the same argument — “if God be for us, who can be against us?” (Rom. 8:31) — and Hebrews makes it a quotation the believer is authorised to say back: “I will never leave thee, nor forsake thee. So that we may boldly say, The Lord is my helper, and I will not fear what man shall do unto me” (Heb. 13:5–6). The Confession states the doctrine underneath it: God’s providence extends “to all creatures, actions, and things, from the greatest even to the least” (WCF 5.1), which is why the refrain can afford to be short.
It is also, in the end, portable. A city cannot be carried, but a sentence can, and this one has been carried into a good many bad centuries — as the next section shows.
| סֶלָה | Selah — the psalm’s three rests, after vv. 3, 7 and 11. Whatever it directed the chief Musician to do, it marks where the congregation stops. |
|---|
Luther’s Ein feste Burg
Psalm 46 is the reason this lesson falls in October, and the reason is a hymn that is not quite a version of it. Ein feste Burg ist unser Gott was printed at Wittenberg in 1529 and probably written in the year or two before — years that held a plague, a war scare and the protest at Speyer from which the word Protestant comes. Luther wrote close metrical psalms when he wanted to: Aus tiefer Not keeps to Psalm 130 line by line. This is not one of those. It is a sermon on Psalm 46 that borrows the psalm’s first image and then preaches a different battle.
What survives the crossing is the opening and the refrain. Feste Burg is מִשְׂגָּב — the high, unclimbable place of verse 7, not the cave of verse 1 — and gute Wehr und Waffen, a good defence and weapon, is verse 1’s help in troubles. Most striking, Luther keeps the divine title untranslated: der Herr Zebaoth, יְהוָה צְבָאוֹת, the LORD of hosts, straight out of the refrain and into German — and then answers a question the psalm never asks. Fragst du, wer der ist? Who is he? Er heißt Jesus Christ … und ist kein andrer Gott. The God of Jacob gets a name.
What Luther imports is the enemy. Psalm 46 has no devil in it; its adversaries are water, mountains and nations. The hymn opens the old evil foe in earnest — der alt böse Feind, der Fürst dieser Welt — and transposes the psalm’s one utterance onto him: ein Wörtlein kann ihn fällen, one little word shall fell him. That is verse 6 (he uttered his voice, the earth melted) redirected from kingdoms to Satan. And the last stanza domesticates the shaking of verses 2–3: where the psalm removes the earth, the hymn takes Leib, Gut, Ehr, Kind und Weib — body, goods, honour, child and wife — and answers with das Reich muss uns doch bleiben, which is closer to Hebrews 12:28 than to anything in Psalm 46.
And what falls away is most of the psalm. No river. No city with God in the midst of her. No turning of the morning, no broken bow or burnt chariot, and no be still. The hymn is shorter, sharper, and about one fight; the psalm is broader, slower, and about everything that can be shaken.
| In the psalm | In the hymn | Verdict |
|---|---|---|
| v. 7 מִשְׂגָּב, a high fortress | Ein feste Burg, and gute Wehr und Waffen | Carried |
| v. 7 יְהוָה צְבָאוֹת, the LORD of hosts | der Herr Zebaoth — the Hebrew title kept | Carried |
| v. 6, one voice and the earth melts | ein Wörtlein kann ihn fällen | Redirected |
| — | der alt böse Feind; der Fürst dieser Welt | Imported |
| — | Er heißt Jesus Christ | Imported |
| vv. 2–3, the earth exchanged | Leib, Gut, Ehr, Kind und Weib | Domesticated |
| vv. 4–5, the river and the city | absent | Dropped |
| vv. 9–10, disarmament and “be still” | absent | Dropped |
Singing Psalm 46
This is a psalm for the chief Musician, and it was built for a room rather than a reader: three blocks with a rest at the end of each, and a couplet the whole congregation can carry after hearing it once. Whatever Alamoth directed the choir to do, the refrain is the part that belongs to everybody.
Metre and settings
| Setting | Metre | Notes |
|---|---|---|
| Scottish Psalter (1650), Ps. 46 | CM (8.6.8.6) | “God is our refuge and our strength, / in straits a present aid.” Public domain, and the plainest text for a mixed group. |
| The Book of Psalms for Worship (Crown & Covenant), 46A / 46B | Check the edition | Two settings, and they are not in the same metre. Pick one and stay with it so the tune is learned rather than read. |
| The Psalter (1912), Ps. 46 | Check the edition | More than one version of this psalm appears in the 1912 collection; confirm which your book numbers as Psalm 46 before printing. |
| Ein feste Burg (Luther, 1529) | 87.87.55.56.7 | Not a psalm setting and not a common metre — see the section above. No metrical Psalm 46 text will fit this tune. |
Check stanza numbering against the edition in your hands before printing an order of service — psalters differ over where to break vv. 8–11, and some run the refrain into the preceding stanza.
Suggested CM tunes
- STROUDWATER — plain, broad, unhurried; the safest setting for the 1650 text with a group that does not read music.
- DUNDEE (French) — steady and quickly learned; best if the room is meeting the psalm for the first time.
- ST. ANNE — if you are stopping to dwell on verses 5 and 7, this is the tune that sounds like a fortress.
- MARTYRDOM — weighted and minor; suits the psalm sung straight through in a hard week.
Leading suggestion
Let the Selahs do the work. Sing verses 1–3, stop, and leave the silence long enough to be uncomfortable — the strophe has just removed the earth. Sing 4–7 and stop again on the refrain. Then read verses 8–10 aloud rather than singing them, with the correction from the lesson in front of the room: be still is an order given to armies. Finish by singing the refrain once more, unaccompanied if you can manage it, so that the last thing the room hears is the sentence that did not change.
In Reformation month, sing the psalm first and the hymn second, and say a sentence between them about what Luther kept and what he left. The room will sing Ein feste Burg better for knowing where the fortress came from.
The psalm’s own settings, recordings and music sheets are collected on its psalter page, with recordings here.